Well, folks, I've seen it. At 7PM tonight at the Warren Theater in Moore, OK, the Voice of the Theater spoke, the trailers rolled and then it began. The film I've been anticipating for something close to the last two years.
Star Trek.
The JJ Abrams-directed, Roberto Orci & Alex Kurtzman-written flick is both a loving tribute to and fresh breath if life into the
Star Trek franchise. In fact, I would go on to say that this is one of the best science-fiction films to be released in years.
The film is a sort of sequel, prequel and reboot at the same time. Through some complicated bits of time travel and back story, actions that take place in the twenty-forth century of the timeline that's been set up by the last forty years of
Trek and creates a new, separate timeline. This allows the filmmakers to create a story that both honors the established canon and creates new opportunities for story telling at the same time. The film proceeds uninhibited by the veritable Sword of Damocles of canon constraints, which makes for surprising twists of story that this life-long Trekkie did not expect to see. It sets up a new franchise with some very interesting possibilities.
The film itself is nothing short of epic. The script is wonderful, managing to incorporate the strong characterization inherent within the franchise along with strong crowd-pleasing action sequences. Every time I thought they had spent too long focusing on the action, they relented with character moments and that made the movie all the more enjoyable for me, as a bona fide Trekkie.
I said on this blog last October that as long as the characters felt right, I would be satisfied with this film. Other than a few minor parts, the casting and characterization of these iconic characters was nothing short of awe-inspiring. The most prominent reason for this is the spot-on casting, especially the choices of Chris Pine as Kirk, Zachary Quinto as Spock, Karl Urban as Dr. McCoy and Zoe Saldana as Uhura.
Pine simply exudes with the brash confidence that one would expect of a young Kirk. This is exceptionally well done because Kirk does not remain this way through out the entire film, but has a definite growth over the course of the film - seen especially well in a moment when Uhura tells Kirk that she hopes he knows what he's doing, and rather than providing a cocky quip that he would have delivered earlier in the film, his only reply is an honest "So do I." I did not expect to love Pine's performance nearly as much as I did.
Quinto was perhaps the most obvious choice for Spock that anyone could have come up with. Between his resemblance to a young Leonard Nimoy and the cool and unattached performance that he's given as Sylar on
Heroes, he was a simple shoe-in for the role. He excellently portrays the emotional turmoil that is presented to Spock due to his heritage as well as the hardships he faces through the course of the film.
It seemed that Karl Urban was possessed by the spirit of DeForest Kelley while filming
Star Trek. He doesn't just portray the character well, he
is Dr. Leonard H. "Bones" McCoy. He has an incredibly strong introduction nearly the beginning of the film and the consistency with which he delivers the character persists throughout without ever feeling like imitation. Between his wonderfully in-character scripting and the way he performed the part, Urban was simply a joy to watch.
Saldana's Uhura was refreshing because the character was finally given her due. Throughout the original series and the movie, Uhura was ever present, but without much to do story-wise. In this new film, she plays a major role and her interactions with both Kirk and Spock give her far more character than she's ever had before. Uhura was always sort of a blank slate, a character that we never really knew much about. In fact, a running plot point in the film is the mystery behind her first name, something that was never once said before in any of the episodes or films. So seeing Saldana really give the character substance was great.
As for the rest of the cast, they were very strong, but perhaps not as much as the previous four. Simon Pegg was hilarious as Scotty, and while Scotty was used for a fair amount of comic relief in the episodes and movies, he has his serious moments. In this, he's given nothing and I'm hoping that he'll be given more to work with in the sequel.
Likewise, Anton Yelchin's Chekov was nothing but comic relief, with a few jokes on the accent and such. Yelchin does put his heart into the performance, staying true to Walter Koenig's campy Russian accent and being the exuberant youth at the navigation console.
John Cho isn't really given much to do as Sulu other than one cool fight sequence. It's hard to give a verdict on his performance.
Surprisingly, I found myself slightly disappointed with Leonard Nimoy's return as the future Spock. Mostly it was the portrayal I would have expected, with Spock even seeming like he had developed more since the last time we saw him. Unfortunately, there were simply a few lines that I felt were forced and those just kind of bugged me.
The special effects and sound are nothing short of amazing. From the opening shots of the battle between the
Kelvin and the
Narada to the ice planet monsters, this film looks and sounds positively incredible. I continually found myself in the theater thinking "Wow" at many of the effects shots.
Perhaps, though, the greatest achievement of all is the film's accessibility. My friend Megan was in the group I saw the film with tonight. She came in relatively fresh, with very little experience with
Trek. I had had her watch the second, third, fourth, sixth and seventh films to kind of give her some background and a feel for the characters. She expressed it best when she said that it was a good enough movie that she thought anyone would like it, but it had enough nods to things she'd seen by watching other
Trek that it made her feel like she was in the know. If this film can attract all the new fans that I think it could, then perhaps we'll get to watch more new
Star Trek for years to come and, as a fan, that is wonderful.
Though, it's not that I didn't have some minor problems here and there with things. For one, I didn't care for the usage of Beastie Boys in one of the scene - I mean, the film already had such a great score in all the other scenes, couldn't they have used that? Also, the way Kirk jumps so high up in rank so quickly felt contrived and unrealistic. Some of the comedic scenes also got a little too ridiculous at times, feeling more slapstick than the usual dry humor found in the franchise. These problems, though, were not enough to ruin the film for me.
In the end, I definitely need to see it once, twice or maybe a third or fourth time more. But this is most definitely one of my new favorite Trek movies and it easily equals the caliber of
The Wrath of Kahn,
The Undiscovered Country and
First Contact or even surpasses them. I haven't quite decided yet.
Star Trek is back. Or, to quote James T. Kirk at the end of the fourth film, "My friends, we've come home."
- Nate
